Showing posts with label American Numismatic Association. Show all posts
Showing posts with label American Numismatic Association. Show all posts

Tuesday, August 3, 2010

Coin Tuesday: The Mule

Aug. 3, 2010
Written by John Dale

The Mule, or, A Mildly Embellished Slice of Life:

"Coin question.”

I looked up. It was one of the photographers. Young guy.

“Coin question? What’s up?” I asked.

“What’s a mule?”

I filed my first response — too much Captain Obvious — away for later. He did say “coin question,” after all. I owed him a Serious Professional answer.

“It’s a coin with two sides that don’t match. Like if a Washington quarter obverse was put together with a Sacagawea dollar reverse.”

I wondered to myself: which coin brought this on?

I started checking through the coins in the Boston ANA Auction in my head. Mules, mules… there was that one pattern with the three dollar gold obverse and the Shield five cent obverse on the same nickel planchet, Judd-531A, by the numbers, and unique by the book… that thing was cool, but weird - seriously weird even by pattern coin standards. New nickname for the Judd-531A: the Lady Gaga.

Maybe it was something else. Another Shield nickel pattern, perhaps?

There was the one dated 1865 with a reverse that has no rays between the stars, the Judd-418. Shield nickels weren’t made for circulation until 1866, and the No Rays reverse didn’t come out to play until 1867, so the two sides didn’t go together. Was there a little Mint hanky-panky at work? Almost certainly, just like with the Lady Gaga.

Two possibilities. I had to ask:

“So which coin is it?”

“This Gobrecht dollar. I was working on the video and it was in the script.”

Gobrecht dollar? I checked the script. Oh, right. Lot 3284, the Judd-65. It pairs the no-stars obverse used on Judd-60 Gobrecht dollars with the no-stars reverse used on Judd-84 Gobrechts. Subtle, but definitely a mule.

I explained what made the Gobrecht dollar a mule. He got the general idea, if not the terminology.

“All right. I still don’t get why they call it a mule, though.”

City kid. It was time to break out the Captain Obvious. I smirked a bit as I slipped into the voice I usually reserve for non-precocious three-year-olds.

“Well, you see, when a horse and a donkey love each other very much…” […and the horse is a male and the donkey is a female, you get a hinny. – Noah]

“Oh, I gotcha.” He cracked up. Point for me.

He got in a parting shot, though. As he walked away, he muttered under his breath, just loud enough for me to hear, in true non-collector fashion:

“Coin weenies," he said. "What’ll they think of next?”

Tuesday, July 6, 2010

Coin Monday on a Tuesday: Finding the Willow Tree

July 6, 2010
Written by John Dale

(Thanks to the long weekend, Tuesday is this week’s Monday at Heritage. Enjoy! – Noah)

Before talking coins, I have to share something that caught my wandering eye: Bruce Lee’s jumpsuit from Game of Death. Yes, that jumpsuit, the one Quentin Tarantino cribbed from to outfit the Bride in Kill Bill; the one that’s had so many imitators in arcade-style fighting games; the one that has its own section on Game of Death’s Wikipedia page. Yes, it’s that awesome. Look. Drool. If you have Tarantino-level money, bid.

Today’s coin feature is of a much older vintage than Bruce Lee’s jumpsuit…more than three centuries older. The piece was scheduled to go in the July Summer FUN Auction (friendly reminder: bidding ends this week!), but it was moved back to the Boston ANA Auction. Believe me, it’s worth the wait.

I had the coin on my desk. Massachusetts silver. The holder said “Oak Tree Shilling, Good Details.” It wasn’t much to look at, or rather, there wasn’t much to look at on it, as worn as it was. Even so, I figured I would be able to match it to a die pair and give it an attribution.

I couldn’t attribute it. Nothing matched. It showed parts of designs from at least two strikes, so I was expecting the attribution to be complicated, but still…

Two runs through reference books later and about thirty seconds after I went from frustrated to flat-out vexed with the coin, I admitted defeat and showed it to Senior Cataloger Mark Borckardt.

He went through the same stages I did, until he had a brain-wave: what if this “Oak Tree Shilling” wasn’t an Oak Tree at all?

“Maybe it’s a Willow Tree.”

I murmured something noncommittal. Willow Tree shillings are very rare, regardless of condition. Could his suggestion possibly be correct?

Then, in a flawless who’s-your-sensei moment, he showed me exactly how the remaining detail on the coin synced up with the 1-A variety in the Crosby and Noe systems. The multiple strikes that had annoyed me earlier suddenly took on new meaning; most Willow Tree shillings show multiple strikes, so that was one more piece of proof.

The coin came out of the Summer FUN auction and took a direct line back to NGC for re-attribution. It came back with two sweet words on the holder: “Willow Tree.”

With those words, the coin got a massive catalog upgrade, from a short text-only entry in the Summer FUN auction to a plush half-page hangout between the purple covers of the Platinum Night catalog for Boston. Massachusetts silver going home…what could be finer?

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-John Dale Beety

Thursday, April 1, 2010

An education in high-end coin collecting: A Heritage Auctions Account Executive’s story

April 1, 2010
Written by Heather Harvey

(This is no April Fool’s joke. I have the pleasure today to welcome Heather Harvey to the Heritage Blog. Heather is an Account Executive for the Coin category, and – as anyone reading this probably knows – that’s a pretty big matzo ball [Happy Passover Ma!] here at Heritage. The biggest in fact. Thing is, when Heather came into her job, taking over from a very well-liked predecessor, she had big shoes to fill not only in getting to know everyone – and reveal her strong work ethic and positive disposition – but also in her knowledge of coins. As you can read below, that knowledge equaled exactly Zero. Fortunately for her, and all of us, there are about a million experts here at Heritage, give or take 999,950 or less, and an education was soon underway. Remember Heather, Cardinal Rule #1: It’s called a cent, not a penny! – Noah Fleisher)

Two years ago, on her fourth birthday, my niece received a large, silver-like coin from an older family member. She was told it was to go toward her colleges expenses.

College expenses? Huh?

She wasn’t alone in her look of bewilderment, because who honestly thinks a coin will contribute to the hefty fees associated with higher education these days? Maybe he forgot to take his medicine that morning…

Fast forwarding to my interview at Heritage six months ago. I was asked: “Do you know anything about numismatics?”

Numis-what-ics?

Coming from the person I was to replace I thought for sure I needed to know this to get the job (or at least know what the word meant). Timidly answering with a “no,” he assured me that it wasn’t necessary in order to organize the advertising for those particular venues. Although I didn’t know the first thing about numismatics, I knew enough about marketing to get the job as the Marketing Account Executive for coins and currency, and I began my advertising duties a week later.

That same week a whole new intricate world of numismatists and a hidden underground numismatic community was brought to light. The amazement on my face could not have been more apparent. People collect these things? These coins are worth what? This coin is how old? Someone spent that much on one coin? I can’t call it a penny anymore? Are these people OK? Don’t they know it’s only a quarter?

It seemed as if I would never run out of questions, and maybe I never will, because I’m still increasingly intrigued by not only the coins themselves, but the people who collect these tiny rarities.

Recently my involvement with numismatic advertising, in addition to my fervent curiosity of the collecting community, led me to the Bureau of Engraving and Printing and the ANA National Money Show ™ in Fort Worth, TX.

I’ve learned by seeing firsthand that, to the collector, it is so much more than just a quarter. They truly have a sincere love of… well, money. From the intaglio printing and secrecy surrounding the new $100 bill at the B.E.P, to the rows of gleaming showcases and wizened faces hunched into their magnifiers at the show, it was all most remarkable. These people are so passionate and knowledgeable about something I never gave a second thought to unless it involved my trip to the ATM because some store didn’t accept credit or debit.

After learning more than I ever thought to learn about numismatics, I’m finding this love/passion/obsession – whatever you want to call it – admirable. For someone to have such a unique understanding of a niche so detailed and so specific is absolutely fascinating.

Even so, I’m not sure I’ll ever summon this “collecting gene” and start my own private collection of fancy money no one else has. I’ll just secretly hope that my dear old relative will generously bestow whatever other college funding coins he may have laying around to my cause so I can sell them. I may not be a collector, but I can still relate to their love of… well, money. It’s just that, for now, I’d rather spend it!

To leave a comment, click on the title of this post.

-Heather Harvey

Monday, February 22, 2010

Coin Monday: Fifty Large, Heritage Auction Galleries' style

Feb. 22, 2010
Written by John Dale

The last heavy stages of cataloging for Heritage’s Official ANA Auction next month are underway. Cataloging life is never more stressful than in “the crunch,” but at the same time, it doesn’t get any more interesting. It’s impossible to predict what will come next!

For me, this past Friday was the most interesting day of all. Among other lots, I cataloged seven 1915-S Panama-Pacific fifty dollar gold pieces, three round and four octagonal. That’s…not normal.

Then again, it’s not normal for one of our auctions to have seven of these enormous coins, regardless of how many lots it contains. For example, the January 2010 FUN Auction had just three examples of either shape.

The fifty dollar pieces, along with three smaller denominations, were struck to commemorate the Panama-Pacific International Exposition, a World’s Fair-grade celebration held in San Francisco in 1915. (The San Francisco Public Library has an engaging “virtual tour” of the Exposition grounds as seen through contemporary photographs.)

For the first time in a decade, the U.S. Mint struck commemorative coins for the event, and for the first time ever, it did so away from the main Mint in Philadelphia. At more than two ounces of gold each, the fifty dollar coins were too large to be struck on regular coin presses. Rather than strike the huge coins in Philadelphia and ship them out to California, the Mint sent a medal press over instead. This allowed the San Francisco Mint to strike the coins on demand.

In addition to their huge size and dollar value (the fifty dollar face value remains a record for a U.S. commemorative), the Panama-Pacific fifties are known for coming in two different shapes, round and the more dramatic octagonal format. The octagonal shape is a nod to the massive fifty dollar “ingots” struck in California at the height of the gold rush, like this United States Assay Office piece.


The entire maximum mintage, 1,500 pieces each for the round and octagonal formats, was struck, though less than half of that mintage would be sold, with the rest re-melted. Not surprisingly, the octagonal pieces were more popular and sold 645 examples, leaving the round version a net mintage of just 483 pieces, the lowest of any classic commemorative.

With seven examples on offer in the upcoming auction, there are plenty of chances to own one of these massive gold coins. Two featured collections are key. The Cliff Street Collection offers four separate examples: here, here, here and here.

The Larry V. Cunningham Collection has two more pieces as part of a complete five-coin set of Panama-Pacific commemoratives, one round and one octagonal. A “lone wolf” octagonal, an attractive MS63 coin, rounds out the selection.

Whatever your budget (assuming you have, say, $40,000 or so to spend on a coin), there’s sure to be a Panama-Pacific fifty dollar in the auction for you. If they’re all out of your reach, there are a variety of other Panama-Pacific denominations, such as the half dollar, gold dollar and gold quarter eagle, that could be yours for a fraction of the price. I’m sure Mr. Cunningham would be happy if you bid on any of them…


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-John Dale Beety